'

Suzanne Valadon

Понравилась презентация – покажи это...





Слайд 0

Woman Artist Model Suzanne Valadon


Слайд 1

Suzanne Valadon was born in 1865 at Bessines-sur-Gartempe, an illegitimate daughter of a French laundress. She became an artists' model, posing for such artists as Pierre Puvis de Chavannes, Henri de Toulouse-Lautrec, and Renoir.Mingling with the Impressionists in the clubs and cabarets of Montmartre, where she caused a sensation with her provocative stunts, Suzanne took numerous lovers. At eighteen she gave birth to an illegitimate son, the future artist Maurice Utrillo. Valadon soon took interest in painting. She observed the techniques of the artists for whom she was posing and began creating her own paintings. Among the artists she knew were van Gogh, Gauguin, Picasso and Modigliani.


Слайд 2


Слайд 3

With her son, the famous painter Maurice Utrillo, born Maurice Valladon


Слайд 4

Family portrait, c. 1910. Utter, Valladon, Utter’s mother and Maurice Utrillo


Слайд 5

Mother Suzanne Valadon (1865-1938) and son Maurice Utrillo, born Maurice Valadon (1883-1955)


Слайд 6

From age nine Suzanne supported herself by doing odd jobs. One was as a circus acrobat. She did it until she fell off the trapeze when she was sixteen.


Слайд 7


Слайд 8


Слайд 9


Слайд 10


Слайд 11


Слайд 12


Слайд 13


Слайд 14


Слайд 15


Слайд 16


Слайд 17


Слайд 18

The Violin Box, 1923


Слайд 19

Suzanne Valadon painted still-lifes, floral art, and landscapes that were noted for their strong composition and vibrant colors. Her first exhibitions in the early 1890s consisted mainly of portraits, among them one of Erik Satie with whom she began an affair in 1893. Portrait of Composer Erik Satie c.1892


Слайд 20

Portrait of Lily Walton 1923


Слайд 21

Portrait of Mme Zamaron 1922


Слайд 22

Genevieve Camax-Zoegger, 1936


Слайд 23

Portrait of Madame Coquiot 1918


Слайд 24

Femme allongee sur un canape


Слайд 25

Even if Valadon received no formal art training, she was able (through her close associations with prominent artists) to develop a re-gendering of women's bodies and strength. The self-absorption and vitality of her subjects, for instance, are in stark opposition to the essential passivity of females nudes that had until then been the traditional manner of representing womanhood.


Слайд 26

The abandoned doll This painting exhibits all the characteristics of Valadon's mature work: brightly colored forms defined by heavy, dark outlines; strange, somewhat awkward poses; and deliberately simplified, distorted anatomy and space.


Слайд 27


Слайд 28

Reclining Nude on a Sofa , 1928


Слайд 29


Слайд 30


Слайд 31

Nudes (1919). (MASP, Sao Paulo).


Слайд 32

Nu assis sur un divan 1922


Слайд 33

Le lancement du filet ,1914


Слайд 34

Adam and Eve, modeled on Valadon and her young lover In 1906, her son Maurice introduced to her his friend Andre Utter. By that time she was married to stockbroker Paul Mousis, whom she had married in 1896. She fell in love with Andre Utter, na artist 21 years younger than her, who became the love of her life


Слайд 35

Self portrait, 1927


Слайд 36

Portrait de Utrillo 1921


Слайд 37

La femme aux bas blancs 1924


Слайд 38

Woman with a Double Bass 1914


Слайд 39

Montocorin farm


Слайд 40

L’aulne dans la prairie - 1922


Слайд 41

Houses on the countryside -1916


Слайд 42

View from My Window in Genets (Brittany) 1922


Слайд 43


Слайд 44

Portrait of Maurice Utrillo (1883-1955), his Grandmother and his Dog, 1910


Слайд 45

The Blue Room


Слайд 46

Young Girl sitting on a low wall -1930


Слайд 47

Marie Coca and her Daughter


Слайд 48

The Bath, 1905


Слайд 49

A strikingly beautiful girl, she found work as an artists' model and used the opportunity to observe and learn the artists' techniques. She modeled for such greats as Edgar Degas, Henri de Toulouse-Lautrec, Pierre-Auguste Renoir and Pierre Puvis de Chavannes, all of whom would have an affair with her. She haunted the sleazy bars of Paris with the men and in 1889 Toulouse-Lautrec would paint a famous portrait of her titled: "The Hangover” (La Buveuse). Suzanne Valadon: the model


Слайд 50

Toulouse Lautrec, The Drinker c. 1888


Слайд 51

Toulouse Lautrec, La Buveuse 1889


Слайд 52

Pierre Renoir – Umbrellas. Model: Suzanne Valadon


Слайд 53

Renoir, Girl Braiding Her Hair


Слайд 54

Renoir, Danse a Bougival Steinlen, Portrait of Suzanne Valadon


Слайд 55


Слайд 56

Renoir, Portrait


Слайд 57

Suzanne Valadon by Henri de Toulouse-Lautrec. 1886-87


Слайд 58

Toulouse Lautrec, The Laundry Worker


Слайд 59

Puvis de Chavannes, Pierre (1824-98) Untitled painting of Suzanne Valadon 1880


Слайд 60

Amedeo Modigliani, “Portrait de Suzanne Valadon”


Слайд 61

Marcel Leprin (1891-1933) Suzanne Valadon and her Cat


Слайд 62

T-A Steinlen, Portrait de Suzanne Valadon , T-A Steinlen, Suzanne Valadon (vue en contre-plongee), 1896.


Слайд 63

Andre Utter, Suzanne Valadon Combing Herself


Слайд 64

Utrillo, Portrait of Suzanne Valadon


Слайд 65

In 1890 she became friends with painter Edgar Degas. After seeing some of Valadon's work, Degas encouraged her efforts to become an artist, buying some of her pieces and helping her get her career started. Due to encouragement from Degas, in 1894 Valadon became the first woman to show at the Societe Nationale des Beaux-Arts, a major French artistic accomplishment. Edgar Degas -Le Tab model Suzanne Valadon


Слайд 66

the character of Suzanne Rouvier in Somerset Maugham’s The Razor’s Edge. When she died , many notables from the Parisian art community came to her funeral, including Pablo Picasso, Georges Braque and Andre Derain. Suzanne was buried in Paris. Suzanne Valadon died in 1938. Her art continues to generate interest as time passes and is significantly represented in collections of The Cleveland Museum of Art, The Art Institute of Chicago, The National Museum of Women in the Arts and Paris’ Centre Pompidou. The intensity of Suzanne’s palette matched the passion of her actions and emotions, just like her ability to go from model to peer among painters reflected her self-determination and resilience. Her free-spirited ways have inspired novels, biographies and films, and she was even the ,likely basis for


Слайд 67

Self portrait « Que des hommes m’aient aimee, soit. Mais je veux etre aimee des hommes qui ne m’auront jamais vue, qui demeureront a rever et a m’imaginer devant un carre de toile ou, avec mes couleurs, j’aurai laissee un peu de mon ame » Suzanne Valadon


Слайд 68

Lilibeth 1/28/2012


×

HTML:





Ссылка: